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Wedding invitations

Om Shri Ganeshaya Namah

10 designs

Free with an account: your invitation as a link, a QR code and a short video for WhatsApp.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Jali & Paisley

    Editor’s pick

    Mughal and Rajasthani lattice with a wide-tracked serif; geometry, never a figure.

    About this design

    Buta and jali — the Mughal and Rajasthani lattice, set in a serif with wide tracking. The research's caution is written into the drawing rather than left as a note: jali carries both Hindu/Jain and Islamic associations, so the family draws the geometry and never a figure, which is what lets one design serve a nikah and a shashtipoorthi without either borrowing the other's iconography.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Editorial

    A serif at size, one hairline above the date, generous margins.

    About this design

    Type and rules and nothing else: a serif at a large size, a hairline above the date, generous margins. It is the formal end of the range — a fiftieth anniversary, a convention, a wedding whose hosts want no ornament at all — and it is the family that ages best, because there is nothing in it to date.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Kasavu

    Cream and one gold border: the Kerala sari's whole idea.

    About this design

    Cream and one gold border, nothing else — the Kerala sari, whose whole aesthetic is that restraint. Adding ornament to it would be the mistake; the family refuses motifs beyond the border and the pookalam.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Marigold

    A garland and toran at the head of the page, drawn as geometry.

    About this design

    A garland across the top and a toran hung at the head of the page, drawn as botanical geometry rather than as photographs of flowers. Warm by construction: the marigold is what a doorway wears on the morning of almost every occasion in this taxonomy, which is also why the family suits so many groups and leads none of them.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Alpana

    Bengali rice-flour lines in red and white, travelling inward from a doorway.

    About this design

    Bengali rice-flour drawing — white floral lines that begin at a doorway and travel inward, here rendered as red-and-white because that is the Durga Puja and Poila Boishakh pairing rather than a colour scheme somebody liked. Alpana is Bengali specifically; it is not a synonym for rangoli and the family will not be relabelled as one.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Kolam

    Dot-grid geometry from Tamil and Telugu doorsteps, drawn at dawn.

    About this design

    White dot-grid geometry on a warm ground, the way a Tamil or Telugu doorstep is drawn at dawn. Named kolam and not rangoli on purpose: alpana in Bengal and aripan in Bihar are cousins with their own names, and this family draws only the South Indian one.

  • Together with our families

    The wedding of Ananya and Rohan

    Save the Date

    The day as the headline, month and weekday beside it, then the names.

    About this design

    The date first, set as the headline: the day of the month in a large display serif, the month and weekday beside it in small capitals, the year beneath, then one hairline and the names. Nothing else on the page — no ornament, no border — because a save-the-date has one job, which is to put a day in somebody's calendar months ahead, and every mark that is not the date competes with it.

With your photo

These leave room for a picture of your own, added when you make the invitation.

  • Your photo here

    Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Photo

    Add a photo

    Your photograph on its own plate; the words beside it, never over it.

    About this design

    One photograph full-bleed on the split plate, the invitation set beside or beneath it in a quiet serif. The plate holds the picture and nothing else — no words ever sit on it — so the photo is framed by the palette rather than written over. It is the host's own photo, copied once with its location and camera details removed; guests' photos are never stored.

  • Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Portrait Arch

    Add a photo

    A photo in an arch, like a doorway or mandap, with a gold hairline.

    About this design

    A photograph in an arch — the doorway of a house, the mandap, the temple gate — with a hairline inside the accent border, the invitation set underneath in a quiet serif. Built for a family or a couple: the framing is one tap on the face, never a face model. Without a photo the arch carries marigold and jali, so the design reads as a threshold rather than as a missing picture.

  • Your photo here

    Together with our families

    The wedding of Ananya and Rohan

    Mon 26 Oct

    Your Artwork

    Add a photo

    Your own picture edge to edge; the words on a solid band below.

    About this design

    Your own picture edge to edge, with the invitation set beneath it on a solid band in a quiet condensed face. Made for a host who already has a card they love: the look is theirs and the words are ours, so the date can still be corrected at the same address after the picture has been forwarded. The band is the palette's own paper at full strength, never a veil over the picture, so nothing a guest reads is ever read through somebody's photograph.

Usually a hired hall, a temple and at home, for family, the wider community and friends. On the muhurta. Free invitation designs with RSVP and calendar, and no account for your guests.

Each one is a different visual tradition rather than a recolour of the same card. Tap a colour underneath to change the palette; every design carries your own wording, date and place.

About Wedding

When it falls
On the muhurta
Who is usually asked
family, the wider community and friends
Where it usually happens
a hired hall, a temple and at home
How the invitation speaks
Formal — full names, and the invitation does the asking
Customary opening line
“Om Shri Ganeshaya Namah” or, in English, “Together with our families”
Colours it is associated with
Red and gold in the North; kasavu cream and gold in Kerala; red and white in Bengal; maroon and gold in the South. There is no single Indian wedding palette and this row does not pretend there is.
What people wear
Indian formal
Marked by
Hindu, Jain and anyone else

Wording that works

The wedding of Ananya and Rohan

Baraat at 4, muhurtham at 5.30, dinner from 7.30.

Written by us as an example. Every word of it is yours to change.

Questions people ask

Do my guests need an account?
No, and they never will. A guest opens the link, types their name and taps Going, Maybe or Can't go. No password, no phone number, no app. If a page ever asks your guests for a password, it is not us.
Can I text my guests?
Only the ones who asked to be texted. A guest gives a number on their own — on our page, never yours — and confirms it with a six-digit code before we will send anything. You never see the number. Texts are limited to three per event so an invitation cannot become a mailing list, and cancelling or moving an event is never counted against that.
Does it work in WhatsApp?
That is what it is built for. Pasting the link shows a picture of the invitation with the date and who is hosting, before anybody taps — and the page opens in whatever browser your guest has, on any phone, including the ones that are not iPhones.
Can guests add it to Google Calendar?
Google, Apple, Outlook and anything else that reads a calendar file. There is a button on the invitation itself, and it works before anybody answers. If you change the time or the place afterwards, their existing entry updates — it does not add a second one — and cancelling removes it.